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Dark Data Publication

Dark Data Publication

Dark Data Publication

Dark Data Publication

Dark Data Publication

I led the art direction for Dark Data, a compilation of research, scholarship and creative practice in spring 2019 to fulfill the requirements for Surveillance Design: Dark Data, a course at Parsons School of Design.

The graphic identity has an element of nostalgia which is expressive of our pre-internet past. I was mostly inspired by the distinct graphics of old VHS covers. 

The main typeface GT Super is inspired by titling serifs created for phototype technology - a method of printing type before it was rendered obsolete in the 1980s. Display serifs typefaces were commonly used in advertisements and book covers for their expressive and high-contrast qualities.

In collaboration with Jon Packles, who led the interaction and web development of this publication. 

https://mfadt.parsons.edu/darkdata/index.html

I led the art direction for Dark Data, a compilation of research, scholarship and creative practice in spring 2019 to fulfill the requirements for Surveillance Design: Dark Data, a course at Parsons School of Design.

The graphic identity has an element of nostalgia which is expressive of our pre-internet past. I was mostly inspired by the distinct graphics of old VHS covers. 

The main typeface GT Super is inspired by titling serifs created for phototype technology - a method of printing type before it was rendered obsolete in the 1980s. Display serifs typefaces were commonly used in advertisements and book covers for their expressive and high-contrast qualities.

In collaboration with Jon Packles, who led the interaction and web development of this publication. 

https://mfadt.parsons.edu/darkdata/index.html

I led the art direction for Dark Data, a compilation of research, scholarship and creative practice in spring 2019 to fulfill the requirements for Surveillance Design: Dark Data, a course at Parsons School of Design.

The graphic identity has an element of nostalgia which is expressive of our pre-internet past. I was mostly inspired by the distinct graphics of old VHS covers. 

The main typeface GT Super is inspired by titling serifs created for phototype technology - a method of printing type before it was rendered obsolete in the 1980s. Display serifs typefaces were commonly used in advertisements and book covers for their expressive and high-contrast qualities.

In collaboration with Jon Packles, who led the interaction and web development of this publication. 

https://mfadt.parsons.edu/darkdata/index.html

I led the art direction for Dark Data, a compilation of research, scholarship and creative practice in spring 2019 to fulfill the requirements for Surveillance Design: Dark Data, a course at Parsons School of Design.

The graphic identity has an element of nostalgia which is expressive of our pre-internet past. I was mostly inspired by the distinct graphics of old VHS covers. 

The main typeface GT Super is inspired by titling serifs created for phototype technology - a method of printing type before it was rendered obsolete in the 1980s. Display serifs typefaces were commonly used in advertisements and book covers for their expressive and high-contrast qualities.

In collaboration with Jon Packles, who led the interaction and web development of this publication. 

https://mfadt.parsons.edu/darkdata/index.html

I led the art direction for Dark Data, a compilation of research, scholarship and creative practice in spring 2019 to fulfill the requirements for Surveillance Design: Dark Data, a course at Parsons School of Design.

The graphic identity has an element of nostalgia which is expressive of our pre-internet past. I was mostly inspired by the distinct graphics of old VHS covers. 

The main typeface GT Super is inspired by titling serifs created for phototype technology - a method of printing type before it was rendered obsolete in the 1980s. Display serifs typefaces were commonly used in advertisements and book covers for their expressive and high-contrast qualities.

In collaboration with Jon Packles, who led the interaction and web development of this publication. 

https://mfadt.parsons.edu/darkdata/index.html

darkdatapostersprint-02
darkdatapostersprint-01

 For each story/article without a visual component, I created a corresponding illustration.

 For each story/article without a visual component, I created a corresponding illustration.

For each story/article without a visual component, I created a corresponding illustration.

For each story/article without a visual component, I created a corresponding illustration.

For each story/article without a visual component, I created a corresponding illustration.

mikaela
julie
candice

Mood-board which presented the visual concept to the class, and early iterations of the landing page.

Mood-board which presented the visual concept to the class, and early iterations of the landing page.

Mood-board which presented the visual concept to the class, and early iterations of the landing page.

Mood-board which presented the visual concept to the class, and early iterations of the landing page.

dark data midterm-01
darkdata_publication_draft2-01
darkdata_publication_draft3-03
darkdata_publication_draft3-07
darkdata_publication_draft3-08